Calling all StageSiders. Welcome back to a new review here at StageSideUK. This time around we are talking about Jarman which played at the Middlesbrough Theatre. Settle in, this one is interesting!
Disclosure
We were gifted 2 tickets in exchange for an honest review.
Trigger Warning
This review, as well as the show, contains mention of sex, HIV and mental heath. Please look after yourself, if this is going to upset you, discontinue reading.
On friday, we were invited to attend Jarman, by Middlesbrough Theatre. Jarman is a biographical piece of theatre, all about Derek Jarman. The performance offers an interesting and intriguing glimpse into the life of the film maker and artist. The production was interesting and it was entertaining, but there was a certain chaotic energy that both added and detracted from the experience. THe chaos added to the emotional depth of the show, and depicted the struggle of Jarman. However, at some times it was a bit overwhelming and I spent a while confused or stressed about the contents. Written and Performed by Mark Farrelly, the production was undeniably interesting, insightful, and creative.
The aesthetics
One of the standout elements of the performance was the use of minimalism in both set design and props. The empty nature of the staging contributed significantly to the atmosphere, and was easily filled by Farrelly’s energy. The use of props helped in drawing audiences deeper into Jarman’s world. However, the incorporation of costume changes felt somewhat disconnected from the narrative, failing to enhance the storytelling in a meaningful way and making me spend more time questioning the costume than providing access to the character.
Farrelly’s commitment to embodying Jarman’s character was impressive. The energy, action and interaction was really a sight to see. Farrelly provided audiences with an emotional, chaotic and raw portrayal that delved into the depths of the artist’s psyche. However, the excessive use of audience interaction, particularly during scenes of a mature or sexual nature, felt somewhat intrusive and uncomfortable for both the participants and viewers alike. While interaction and immersion can benefit or enrich a theatrical experience, in this instance, it didn’t really add to it, and instead distracted me.
Overall
Despite a few hiccups, Jarman is a thought-provoking exploration of an influential figure in British cinema and art. Farrelly’s dedication to his craft and the creative vision behind the production are worth experiencing, offering audiences a unique and memorable theatrical experience. With a few adjustments to the pacing and approach to audience interaction, Jarman has the potential to be an even more impactful production, further engaging audiences in the fascinating story of Derek Jarman’s life and legacy. It would also allow the important issues such as insecurity, the HIV crisis and mental health conditions stand out more and those moments would be more impactful.
Now onto the rating!
The show was entertaining, though sometimes it was a little chaotic and confusing. I think some of the key elements and themes of the play got lost in the interaction and it was more of a distraction than an access tool. I think it would be interesting to see the show without the immersion, and delivered more directly to the audience. The show could do a bit more for accesibility, as it contained alot of immersion, loud noises, screaming, shouting, music and loud sound effects, but some of these elements were needed for the themes of the piecce.
I give the show three out of five stars.
Have your say!
Have you seen Jarman? What did you think? Let me know in the comments and let’s get a discussion going.
As always, please be respectful of each other’s opinions and be kind to each other. I completely respect and value everyone that worked on this show. We need to remember that these are people with feelings. Let’s treat them with respect. Bullying will not be tolerated and harmful language will be removed.
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Alyx Taylor-Scott