Calling all StageSiders, welcome back to another review here at StageSideUK. This time, we are talking about our recent trip to the Darlington Hippodrome, on 1st April, for the press night of Murder at Midnight, presented by Original Theatre Company.

Disclaimer: we were gifted a pair of free tickets in exchange for an honest review of the show.

I have to start by saying that what unfolded was nothing short of incredible. From start to finish, this is a show that grips you, surprises you and refuses to let go. It really is the perfect mix of thrill and comedy.

At the heart of the production is a cast delivering performances of the highest calibre. Jason Durr takes on the role of the Cyclops, a character that walks a fine line between unhinged and grounded. It’s no easy feat, but Durr handles it with precision and real skill. The pacing of his performance is spot on, building tension while maintaining control, a truly compelling watch from entrance to exit.

Susie Blake brings something refreshingly different to the stage as Shirley. Known by myself for more serious roles, Blake steps confidently into comedy here, and it absolutely pays off. Her commitment is amazing, giving everything to the role and proving her versatility as a performer. It’s a joy to watch her lean into this lighter, more playful character and bring some of the funniest lines to life.

Photo credit – Pamela Raith

Max Bowden is simply superb as Paul, the undercover cop. His comedic timing is razor sharp, delivering one-liners with ease and confidence. What truly elevates his performance, however, is his ability to adapt in the moment, reacting seamlessly to unexpected prop interactions and bringing a touch of improvisation that feels natural rather than forced. It’s quick thinking, brilliantly executed, and genuinely impressive to watch.

The company is rounded out by Katie McGlynn, Callum Balmforth, Peter Moreton, Iryna Poplavska, Bella Farr and Andy McLeod. Each performer gives their all, creating a cohesive and dynamic ensemble that keeps the energy high throughout.

Technically, the show is just as impressive. The illusions are cleverly designed and executed with precision, adding real theatrical flair without ever overshadowing the story. The set is a standout, thoughtfully designed, highly functional and used to its full potential. Not once have I see something as basic as a house be used to this level! Every element feels considered, every movement intentional. Combined with clear, impactful direction, the result is a production that feels both slick and immersive.

Quite simply, this is a killer show with some cracking one liners, amazing twists and turns and some moments that will have you holding back tears of laughter one minute and jumping out of your seat the next. The pacing is tight, the performances are engaging, and the overall experience is thrilling from beginning to end.

Accessibility


This production includes a series of very loud gunshots, which caused noticeable reactions throughout the audience. There are also frequent flashing lights directed into the audience at the beginning of the show, along with photography-style flashes and other sensory effects. At times, these elements felt overwhelming, with some audience members visibly shielding their eyes and everyone jumping at the gun shots.

Value for Money


With such a high level of performance, technical execution and overall production quality, Murder at Midnight offers excellent value for money. Tickets come in at about £35 for an average seat mid week and about £40 for a weekend. I think this is about right and well worth the investment. It is a great bit of theatre and some really great storytelling.

Have Your Say

Have you seen Murder at Midnight? What was your favourite part? Let us know your thoughts in the comments!

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