Calling all StageSiders, welcome back to another review here at StageSideUK. This time, we’re heading into the mythological mayhem of The Lightning Thief: The Percy Jackson Musical. This is a show that proves just how electrifying modern musical theatre can be when every element fires on all cylinders. Quite simply, this production is flawless. But, keep on reading to find out how this well oiled machine blew me away!
Disclaimer: We were gifted a pair of tickets in exchange for an honest review of the show.
From the moment the doors to the auditorium open, you are immersed in mythology, special effects and technical perfection. The show begins, and it’s clear that this is a production bursting with imagination. The staging is dynamic, inventive and packed with magic. Several illusions throughout the show are genuinely mind-blowing, drawing audible reactions from the audience and creating moments that feel truly spectacular. It’s the kind of theatrical wizardry that reminds you why live performance remains such a thrilling source of entertainment.
Vocally, the company deliver performances that absolutely pack a punch. The score demands energy, power and emotional commitment, and the cast meet that challenge head-on. Every number lands with impact, supported by choreography that is so tight and precise you can easily lose yourself just watching the movement unfold on stage.
A huge shout-out must go to set and costume designer Ryan Dawson Laight, whose work is nothing short of exceptional. Through clever design choices, Dawson Laight transforms the theatre into multiple locations, shifting effortlessly between worlds using costume details and adaptable set pieces. The costumes largely begin from a pedestrian base, elevated through distinctive motifs and textures that subtly reflect character and mythology. Meanwhile, the set itself is brilliantly constructed and planned out, dynamic, flexible and packed with hidden features that reveal themselves at just the right moment throughout the show.
One of the most impressive aspects of this production is the casting. No one performer overshadows the rest. Every single member of the company is golden. This is theatre casting done right, where the strength of the ensemble elevates the entire show.
Vasco Emauz is terrific in the titular role, capturing Percy’s humour, determination and heart with ease. Alongside him, Kayna Montecillo is outstanding as Annabeth, delivering a performance filled with commitment and strength, while Cahir O’Neill proves to be the perfect Grover, warm, funny and endlessly likeable. Meanwhile, Danny Beard is far from stunt cast as Mr D. Instead, Beard delivers a wonderfully camp and thoroughly entertaining performance that fits the world of the show beautifully.
If one performer deserves a special mention, however, it’s Simone Robinson. Taking on multiple roles throughout the evening, Robinson displays extraordinary versatility, crafting distinct characters with their own backgrounds, mannerisms and vocal qualities. It’s a masterclass in character acting, and genuinely impressive to watch unfold.
Behind the scenes, the creative team work seamlessly to build an immersive theatrical world. Lighting designer Tim Deiling and video designer Matt Powell combine their talents to create an environment that truly transports the audience. From the depths of the Underworld to the crashing waves of the sea, and all the way to Camp Half-Blood. Their work adds depth and scale to the storytelling, enhancing the journey without ever overwhelming it.
Musically and physically, the show is razor sharp. Under the guidance of musical director Will Joy and choreographer Philip Cathpole, the band is tight and the choreography lands every beat with precision. Everything moves with purpose, creating a rhythm that carries the audience through the story with unstoppable momentum.
Accessibility
The production features alot of special effects and some technical elements that could cause accessibility issues. The show features flashing lighting effects, lighting shone into the audience and projections. The show also features moments of heightened and amplidfied sound from the live band and pre-recorded sound effects. They appear suddenly but usually with an indicator (such as growling harpy screams when both a harpy and sword are on stage etc). These elements are used effectively to support the storytelling and create atmosphere throughout the show. I didn’t find the effects overwhelming but I do think the lighting should have been mentioned on the trigger list before booking.
Value for Money
With exceptional performances, inventive design and an incredibly strong creative team, The Lightning Thief: The Percy Jackson Musical offers outstanding value for money. I left this production saying “that show must have cost a fortune to make”, with puppets, costumes and special effects that look so rich! Tickets max out at around £50 which is a steal for this show! But tickets can be purchased on the Lucky Hipp Seat scheme for £25 each. It’s a production that feels ambitious, polished and packed with theatrical joy.
Have Your Say
Have you seen The Lightning Thief – The Percy Jackson Musical? Let us know your thoughts in the comments!
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